Pt. 2 - JPEG Noise
Pt. 3 - ISO 80 JPEG Crops at 35mm & Full Aperture
Pt. 4 - Flare Performance
Pt. 5 - Noise Performance Revisited
Pt. 6 - G7 Default JPEG vs GX100 Silkypix Conversions
Pt. 7 - Key Timings
Pt. 8 - Build Quality, Quality Control, and Battery Life
Pt. 9 - Conclusion
Thanks to quick shipping by PopFlash, I have the GX100 in my hands. This one seems to be a good copy, focusing properly in my initial tests. I am super busy these days and so rather than waiting to complete testing of this camera, I will be posting frequent, short updates.
I have chosen to compare these three cameras, Canon Powershot G7, Ricoh Caplio GX100, and Leica D-LUX 2, because I think they are all excellent choices for those seeking a compact camera with manual controls. In many cases, these are at the top of the list for DSLR users seeking a second, more compact camera. The D-LUX 2, which is essentially the same as the Panasonic DMC-LX1, has been replaced by the D-LUX 3 (LX2), but I will be using the earlier camera for comparison since it is the one I have available. In some ways, it may be the more appropriate model for my style since Panasonic has apparently applied considerable noise reduction to even the RAW files on the D-LUX 3/LX2. I discussed this issue here.
Here are some comparison photos of the three:
Here are a few resized photos taken from the same vantage point to show the effective zoom focal length range of these three cameras, which in my opinion is a key differentiating feature between them. These photos obviously should not be used to judge image quality, only zoom range.
First, the GX100 at the wide end, 24mm (35mm film equivalent):
Next, the D-LUX 2 at its widest setting, 28mm (available only in 16:9 aspect ratio):
Finally, the G7 at its widest, 35mm:
Now the telephoto comparison, starting with the GX100 at 72mm equivalent:
D-LUX 2 at full telephoto, 112mm equivalent:
G7 at full telephoto, 210mm equivalent:
Quite a difference. More to follow soon!
What a difference in distortion at the wide end between GX100 and G7/D-LUX2! That alone makes the G7 and D-LUX2 no option for me. One of the reasons I chose a GRD2.
ReplyDeleteWouldn't the D-Lux 2 have slightly more zoom at the tele end if you used 4:3 format?
ReplyDelete"GX100 at the wide end, 24mm" is 24mm film equivalent!!
ReplyDeleteThe photos are not available now.
ReplyDelete