
A nice and light compact camera would have been most ideal, at least in terms of weight. But compact cameras with small sensors struggle on dark, overcast days. In any case, I don’t have a “serious compact” at the moment.
So that left my DSLR. I can’t hold my DSLR with the heavy zoom lens in one hand; the lens is heavy enough that I prefer supporting it with my other hand (never mind being able to operate the zoom ring).
It was the perfect opportunity to try out my new 35mm f/2 prime lens. It’s light enough that I can easily hold the D300 in one hand without it having the tendency to fall forward due to the weight of the lens.

At f/2, that lens is also bright enough for shooting in dim surroundings. I was a little worried that an equivalent focal length of 52mm wasn’t wide enough in the confined spaces of historic Amsterdam. But after I started shooting, I hardly missed a true wide angle, nor did I miss the sunshine.
Björn, all three of these are great! Your one-handed efforts in the rain paid off =). I especially like the second one, which has a surreal feel, mainly due to the searching look from the two women and the way it looks like most of the rain is falling insides the gentleman's umbrella =).
ReplyDeleteDo you think these are compositions you would have settled on had you been shooting with a zoom, or did the restriction of the prime help you to see them this way? I think I could have looked at the bicycle and canal shots and said hey were taken with a fifty.
Regards,
Amin
Thanks, Amin. Those are good questions. First of all, I think that 50mm is a good focal length: when you're photographing strangers, it get you close enough for a degree of "participation," but without getting so close as to make your subjects uncomfortable. Normally, I'm not bold enough, and tend to zoom in, rather than move closer. But with a "fifty" that's not possible.
ReplyDeleteI didn't really find shooting with a prime restrictive. Which is quite surprising when you consider that I've been using nothing but zoom lenses for the past five years.
I can't really say if the prime lens helped me to see things a certain way. I suppose so, for better or worse.
The canal shot was the kind of a shot I might have taken with a wide angle lens...and I'm sure I have in the past. But that perhaps wouldn't have given it the feel of confined space that it actually has; rather a wide angle lens would increase the subjective distance between foreground and background. As it is, it feels pretty authentic. Not to say that is necessarily a good thing...