With any new system, it is impossible to cover all lens needs right away. Thus manufacturers need to prioritize according to commonly used lens types and market demand.
Here's what we have so far for Micro Four Thirds:
Ultra-wide:
- Lumix 7-14mm f/4 (difficult to locate in United States)
- Lumix 8mm f/3.5 (fisheye, due in 2010)
- M. Zuiko 17mm f/2.8
- Lumix 14mm f/2.8 (due in 2010)
- Lumix 20mm f/1.7 (due soon)
- M. Zuiko 14-42mm f/3.5-5.6
- Lumix 14-45mm f/3.5-5.6 O.I.S.
- Lumix HD 14-140mm f/4-5.8 O.I.S.
- Lumix 45-200mm f/4-5.6 O.I.S.
- Lumix 100-300mm f/4-5.6 O.I.S.
- Leica DG Macro-Elmarit 45mm f/2.8 O.I.S. (1:1 macro, due soon)
What I'd like to see is a high quality optic with the following characteristics:
- Fixed focal length between 37.5mm and 67.5mm
- At least f/1.8 speed and preferably f/1.4
- Quick autofocus
Andrew · 812 weeks ago
Frankly, the mount adapters are nice, but the more I use them the more I wish there were more native m4/3 mount lenses available. All in good time I hope.
Anonymous · 812 weeks ago
Another big hole in the line-up is that only one of the lenses provides AFC in 1080p movies, the 14-140mm kit lens. AFAIK, the GH1 is about the only digital camera that can provide any kind of good continuous AF in movies, so it would be nice to see Panasonic flesh out that niche with a range of "HD"-branded lenses. Most of all I would like a fast HD zoom with a constant aperture.
Prognathous · 812 weeks ago
- 14-25/2.8-3.5
- 40-65/2.0-2.8
Both zoom lenses have less than X2 zoom ratio. Personally, I don’t think such a ratio is an essential minimum for a zoom lens. I’d rather trade the range/ratio and get (1) better portability, (2) less optical compromises, (3) better maximum apertures for the price, and (4) higher flexibility than a prime lens.
28-50 (equiv) is perfect for street photography, and 80-130 (equiv) is perfect for portraits.
As for weight, the current ZD 50/2.0 Macro weighs 300 gram so a 40-65/2.0-2.8 non-Macro should weigh about the same or even less. The current ZD 25/2.8 weighs 95 gram so a 14-25/2.8-3.5 shouldn’t weigh much more than 150 gram.
Prog.
Harold GLIT · 812 weeks ago
well first because of the 2x crop factor , the most needed lens is a 2.8/12mm ( non pancake) because this is the only line ( well with the regular 4/3 E line) not having this new standard lens for landscape and street photography
the next one is that portrait lens like 42mm (85mm equivalent) around 1.4 ( I would be fine with a 2.0 but know that would not be enough for all the crowd who thinks that EVERY portrait has to me made with shallow DOF)
so yes these are the 2 most urgent ones
Chez Wimpy · 812 weeks ago
Linh · 812 weeks ago
I decided to pre-order the GF1/20 kit, so I'd like to see that 14-45 either cheaper, or a 14-45/2.8 O.I.S. for a little more. Another portrait zoom such as a ~35-100/2.8 would be nice too. 45-200 is too much for me.
Alex · 808 weeks ago
Seto · 806 weeks ago
Pancake or slightly-larger-than-pancake primes are nice too.
Alex · 805 weeks ago
bob Crowley · 796 weeks ago
Sdu · 789 weeks ago
MadsR · 783 weeks ago
Faster zooms in native mount with fast AF. (A µ4/3 version of 12-60 f2-4 would be nice... Also a 70-200 f2.8 would be fantastic)
Claude · 780 weeks ago
Seth · 776 weeks ago
Murray · 776 weeks ago
Periodically I wish someone would stick a 135 f2.8 lens on the sensor from say a Canon S90 and you'd have a 600mm equivalent f2.8 that was tiny.
gordo · 775 weeks ago
Mats · 774 weeks ago
Jerry · 772 weeks ago
Yes, there are adapters for connecting manual focus primes or standard Four Thirds lenses, but these compact Micro Four Thirds cameras really need compact Micro Four Thirds primes to go along with them. There is a reason that so many Micro Four Thirds owners rave about the Panasonic 20mm f/1.7 prime. We need more fast primes for the Micro Four Thirds mount!
Freddy · 770 weeks ago
A micro Four Third vertion of the excellent Zuiko 12-60 /2.8-4 is also wanted. But the primes first.
It would be nice if Panasonic and Olympus could cooperate closer. As it is now, they both make their own versions of nearly the same lenses. There are so many holes in the lens lineup that they should work together to make the lineup more or less complete before they make double versions of lenses with the same focal lengths.