With Leica preparing to announce a (?) fixed-lens APS-C X1 and Samsung preparing an interchangeable lens NX series for late 2009 or early 2010, three giants seemingly slumber. Yet we know that the labs of Canon, Sony, and Nikon must be hard at work developing their respective direct-view interchangeable lens (DVIL) systems.
The choices being made right now will define the fate of each in this new era of camera systems. Consider the Olympus/Kodak decision to go ahead with the Four Thirds platform six years ago. In choosing a smaller sensor size with an aspect ratio that makes more efficient use of the imaging circle, Four Thirds had the potential to achieve a considerably smaller system size than the systems of competitors. Instead, Olympus chose to design a system in which nearly every single lens delivers sharpness, even light, and beautiful color right into the extreme corners of the frame. In other words, Olympus overbuilt their lenses.
With Micro Four Thirds, Olympus and Panasonic have gone in another direction entirely. A short registration distance allows them to build smaller lenses, yet as Leica or Sigma can witness, it brings new design challenges. One need only look at the cyan corners of an early Leica M8 or Sigma DP1 image to understand this. One solution would be for Olympus and Panasonic to once again overbuild their lenses and yield the compact size advantage of their new system. Yet these two companies have come to realize that the way forward lies not with comprehensive optics but rather digital correction. Panasonic, in particular, has pioneered the holistic lens-software approach. Olympus has begrudgingly come along beginning with the ZD 25/2.8, their smallest, least perfect, and still uncorrected Four Thirds lens. The tiny Olympus 17/2.8 confirms their progress, but Panasonic has zipped by with the 1.3-stop faster and equally svelte Lumix 20/1.7, a lens which no doubt leverages the full powers of Venus and Adobe Camera Raw.
What of Canon, Sony, and Nikon? Can they challenge the compact size of Micro Four Thirds while designing lenses for an APS-C imaging circle? A more fundamental is to what mount and format these companies will committ. If Canon builds a compact DVIL lens system around an APS-C standard, what happens when the DVIL market calls for 35mm full frame? My guess is that the Big 3 will move conservatively and each introduce new systems with mounts designed to support both full frame and APS-C sensors. In doing so, will they be able to challenge the compact size of Micro Four Thirds in the DVIL market? A glance at the Leica M9 suggests that they may be able to do just that.
For a given company, lens mounts tend to come around just once in a few decades. 2010 is sure to be an interesting year.
Direct View Interchangeable Lens (DVIL): The Devil's in the Details
Monday, September 7, 2009
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Direct View Interchangeable Lens (DVIL): The Devil's in the Details
2009-09-07T10:40:00-05:00
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wolfie · 813 weeks ago
But also remember some of the reduced lens-sensor distance is down to the sensors changing to a less 3D profile. If they could curve the sensor or perfect the Leica-style micro-lens compensation at the frame edge then more potential size savings could follow. There is more than one way on the path to the ultimate compact.
Maki · 813 weeks ago
Honestly, I'm underwelmed by the M43. I divide cameras in two groups: the ones that fit in a (large) pocket and the ones that don't. The borderline is the Canon G11 (I have an LX3). Anything bigger than that and I don't really care about size. Any M43 camera with a zoom is simply too thick and a M43 with a fixed lens... well, for years my only camera has been a Yashica T4, and as much as I loved it I'm not really willing to go back.
Of course that's me, but I think that most people now already owns a compact or a DSLR or both *and* I see very few reasons for them to move towards M43. Not that much smaller than a DSLR, not as convenient as a high end compact, and more expensive too. Plus the limited choice of lenses. And then the viewfinders, can you really use an f/1.7 lens wide open on an LCD?
Sure there is a market for DVIL cameras, but I see it as a niche for "the others". Maybe the three giants are going to enter the market to say "mee too" (think about APS in th film days), but I don't think they need it, unless they know EVFs are going to get better than a pentaprism.
wolfie · 813 weeks ago
Maki · 812 weeks ago
My expectations were higher. I remember in the film days Fuji made the Zoomdate, a compact with a 24-50 (f/2.8-5.6): a *full frame* camera that hold a film canister and was *smaller than my LX3* with half the weight. Now, I know the current crop of CCDs imposes some limitations to the optics, but I expected a similar zoom to fit in to the size range of the Olympus 17mm. If they didn't do in that way they surely have a reason, but at this point my LX3 is here to stay. But, as I said, that's just me.
Generally speaking my point was that while there certainly is a market for these cameras, the giants have no need to rush to enter it. There has always been a market for rangefinders, but the bigs simply ignored it. I think DVIL cameras are targeted at that market. The only substatial difference I see now is the EVF: as technology improves if they reach a really high resolution and frame rate they might really become better than a pentaprism, especially in low light.
Erwin Buske · 812 weeks ago